Moving…

This week I have started going to a gym for 6:30 am workouts! I know – crazy, right? I thought this would be a good way to support my writing practice. By 8:00, I am sitting at my desk, having already made a great start to the day and I am ready to write. It’s a big change to get up and out of the house so early. The first day I went, I left my breakfast on the counter because I’d underestimated the time I needed. I was totally worried about being late, so I almost didn’t go. Then I got almost to the door of the gym when I realized I’d forgotten my shoes, so I almost turned back. I mean, it’s already uncomfortable to make a start on something new, never mind this early, never mind late, never mind without most of my breakfast, never mind without shoes!

But I went anyway.

Here’s what I know. There is always a reason to turn back. There’s always solid evidence that the comfort zone is the place to be. But the unfamiliar doesn’t get more comfortable until you step into it again and again. I figured I might as well start that process even without my shoes!

Learning…

Something else new that I’m preparing for is taking the Writing and Drawing Comics e-course with Summer Pierre. I’m so excited and totally nervous. At least the supplies are unintimidating: a composition book, some index cards, a Black Pilot Precise Pen (fine) and a Black Papermate Flair Pen (medium). I ordered the pens on Amazon and had the cards and the notebook on hand. I’m ready for class, Summer!

Reading…

If you watch Creative Living Bookshelf, you’ll know that I picked up this book quite a while ago, Plant Dreaming Deep by May Sarton. It takes me forever to work through a book. Right now at the far edge of winter, I couldn’t have been more delighted to read a chapter about the garden. When May describes her excitement about her morning tours, I feel excited by what is soon to come:

“From May on, I can hardly wait to get up to see what has happened overnight, for one of the pleasures of the garden is that something is always happening; it is not static even for a day. I go out by six-thirty and sometimes earlier, still in my pajamas and a wrapper, to take look around before breakfast.”

This is just what I do too when I take my camera to capture a #goodmorninggarden moment each day and share on Instagram and Facebook.

from last year’s garden

These days I’m looking longingly out the window, waiting for the snow to melt and for things to start sprouting and I’m not the only one.

Kittens…

Windows will always be a favourite spot for kittens. Our three seem to rotate between three favourites: the front window that looks onto the street, where I imagine they watch with amusement all of the people heading to work while they enjoy their life of luxury, the kitchen window, where they often perch with tails swishing, watching squirrels and birds flit by and elude them, and then the studio window, where they sometimes peer out at the sky, Shibumi, in particular, pawing at it as though the glass will give way and a whole new world will open up to her. I know that feeling too.

Thinking About…

And the other day I came across this, which has me thinking.

“In their book Art and Fear David Bayles and Ted Orland tell the story of a ceramics teacher who announced on the opening day of class that he was dividing the students into two groups. Half were told that they would be graded on quantity. On the final day of the term, the teacher said he would come to class with some scales and weigh the pots they had made. They would get an ‘A’ for 50 lbs of pots, a ‘B’ for 40 lbs, and so on. The other half would be graded on quality. They just had to bring along their one, perfect pot.

The results were emphatic: the works of highest quality were all produced by the group graded for quantity. As Bayles and Orland put it: ‘It seems that while the ‘quantity’ group was busily churning out piles of work—and learning from their mistakes—the ‘quality’ group had sat theorizing about perfection, and in the end had little more to show for their efforts than grandiose theories and a pile of dead clay.” Matthew Syed from Black Box Thinking

Does this resonate with your own experience? I’d certainly say that the last two years of having a regular art day has made all the difference for me, not only in developing my skills and confidence but also in loosening me up for learning. The more I make, the more I’m willing to experiment.

Prompts for Your Studio

• What practices will or do support your creative life? How might you start them, return to them or celebrate them?
• Move your body.
• Go anyway.
• Step outside your comfort zone.
• Take time to read.
• Take a moment to just look out your window and breathe.
• Experiment with quality over quantity. Notice the impact.

Getting back to Art Day with my sister Shannon this weekend gave me that wonderful feeling of things finally settling down just a bit. It’s amazing how grounding it is to be back to your normal routine! Though, actually, that’s a bit ironic for this Art Day because we worked on our next Y is for Yellow class by Carla Sonheim, which invited us to really get out of our comfort zone and try things we don’t usually do.  For me that meant abstracts (okay, I did paint a fish) and working with a more neutral palette. It cracks me up that I ended up using a lot of green, which Shannon tends to use, and she had a fair bit of pinks and blues on her palette, which I tend to use. I guess that means we followed the rules!

There were times in this exercise that I felt completely in the weeds. I had no idea where to start or how to develop an abstract painting. I still don’t! But the wonderful thing was I didn’t panic. I didn’t get mad or even particularly frustrated. I just kept painting. In the moment there were two things that helped me keep going and eventually finish with paintings I quite like.

The first was Carla’s instruction to keep going until you liked it. I really committed to that and I trusted (mostly) that eventually that would happen.

The second was that after I had been painting for some time and was still not liking the results, I got curious. What was I doing or not doing? One thing I noticed was that I was being very protective of the two little bits I did like on the painting. Every choice that I was making was to protect those bits but nothing else was working. It was only when I decided to let them go and trust that I’d find something else to like that I did!

I love doing collage work too and have been wanting to do more of it. This weekend I gave myself a little bit of time to start developing a piece. I really enjoyed just pulling together this and that and seeing where they led me – clearly to gentler skies!

I think Escher was on the same page! (I love that on Facebook Michaela called him a Purrito!)

Today in addition to working with my brilliant clients, I popped out to put more Give a Girl a Journal packages in the mail. Girls in Ontario and across the US (Florida, Arizona, Texas, New Jersey and North Carolina) as well as girls in Germany, Australia and India will be getting journals soon! Feeling inspired, I took the scenic route back and I’m glad I did. Check out the robots I saw on the way home.

Now that’s a sentence you don’t hear every day!

Prompts for Your Studio…

• What routines help you feel grounded?
• Book an Art Day for yourself. I know “Art Day” sounds really ambitious but we spend about 2 hours on a Sunday afternoon creating. What time can you give yourself?
• Get outside your comfort zone by experimenting with the opposite of what you normally do. This can apply in life too, not just in art. If you always dress in neutrals, try something bright. If you always make the most efficient choice, try the most leisurely. Where can trying the opposite stretch you?
• Is there anywhere that holding onto what you like is actually holding you back?
• Where might you find some gentler skies?
• Be a part of the circle of magic that is Give a Girl a Journal.
• What did you see on the way home today?